Minnesota w/HugLife + BassClef @ New Mountain 11/20

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I remember hearing Minnesota’s name around CounterPoint time last year, when I really didn’t care for bass music at all and just thought it was cool his name is Minnesota. But a lot has changed for me in a year and a half, and now I can speak with a considerably more open mind on the sick pleasures of the hard, floor-grinding genre.

Originally from Minneapolis (hence the nickname), Minnesota (Christian Bauhofer) moved to Santa Cruz at 18 where he began plugging into the rising Left Coast bass scene. He hit it hard in 2011 with his first EP Panda Snatching Tycoon and quickly gained traction for his seamless eclecticism and melodic sensitivity in a world where Skrillex ruled the roost.

Now with something like six albums in four years, Minnesota has proven himself a worthy contender in the ever-expanding EDM universe. Sharing the bills at some of the most popular electronic festivals with the likes of STS9, MiMOSA, Paper Diamond, and with Bassnectar as a bona fide fan, whatever this guy is getting at, he’s getting it.

Now don’t tell me that raw drop doesn’t feel good:

What got me thinking about this show at all though was my girl Julie’s interest in the supporting act, bass/trap/hip-hop producer HugLife. I can’t find a whole lot of information on him, other than he used to be called Slink and has lived everywhere. Solid? I suspect we’ll all have a better idea of him on the dance floor tomorrow. For now, here’s something yummy:

The night opens with local producer BassClef, but I suspect I’m going to be kickin’ it at Sol Bar during that time to see Earthtone Soundsystem, Asheville’s longest running house ensemble, who, in my relatively newfound appreciation for the ol’ four-on-the-floor, I have yet to experience. This baby girl needs to balance out that grimy goodness with some vision-inducing heart bangers. (Though it must be mentioned that I can’t find any sonic evidence of them on the whole of the internet. Someone explain this to me.)

Suffice it to say, ISIS ain’t got shit on the American commitment to a good time. Let’s get weird, AVL.

Doors: 9pm // Show: 10pm

Tickets: $10-15 // 18+

 

 

 

 

NEW RELEASE: Marley Carroll DJ Mix ‘Summer Turns Fall’

To celebrate the end of a long, gig-intensive summer, Marley Carroll released a new DJ mix yesterday. And aren’t we all so glad he did. Titled Summer Turns Fall, the 48 minute mix is a lesson in transition, from the sun-fueled funk house beats to chilly, weighted scratchwork that reflects these deepening nights.

It begins on the dance floor in my mind, KC and the Sunshine Band’s cover of “I Get Lifted” a damn good groove early on, which has served as a staple in the MC DJ set list all summer. But afterward I am somewhere else altogether.

As the beats swell up, strip down and rise again, Carroll creates a potent tension with his silvery sensitivity to the turntables. And then carefully, gracefully, he releases it, each track a lush new environment for the mind to explore. It’s like walking into another room on mushrooms. The imagination does not soar–it digs down and treks–from the bright, honey morning forest to the mysterious side of some wild island, where shadows speak and beams of full moonlight strike the scales of nightswimming fish like chimes.

Summer Turns Fall carves out an irresistible telling of the shift from poolside to fireside, without and within. Pairs nicely with cloud-watching, driving, or jaunty daydreaming in a doctor’s office.

Listen on SoundCloud here

Download from Bandcamp here