In Plain Sight Brings the House Down (to One World Brewing)

in plain sight

Photo via mountainx.com (2012)

I turn down the hideaway alley to find a line of prospective patrons waiting outside the venue. I’ve never encountered a line here before. I ask the guy ahead of me if they’re at capacity or if this is just a smoker’s circle.

“Yes, we are waiting,” he says in a subtle lilt. Buttoned up and tucked in, I surmise he’s not from around here.

“Guess it’s a busy night,” I say. “In Plain Sight is playing.” He offers a blank stare.

“Local house DJs.”

“Oh! We are from Ukraine. House music is in our blood.” I take this as a good sign for the night.

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RBTS LOVE

Post-show with RBTS WIN and some Junior Astronomers

Post-show with RBTS WIN and some Junior Astronomers

Last Saturday was a particularly potent music night in Asheville. Holy Ghost Tent Revival was covering Beck’s 1999 album Midnite Vultures in its entirety at the Mothlight (fuck!) while Marley Carroll entertained the Christmas theme-loving drunks at the Holiday Liquor & Dance Luau Party. But amongst all this temptation I knew I was on the path to righteousness, for I was seeing RBTS WIN for the first time at Isis.

A simple stage set supported the black-clad trio, who don’t need mind-melting visuals or even color in their clothes to spread their message of universal love, peace, and good times. Imagine that, Asheville!

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RBTS WIN Likely to Win My Heart at Isis July 11

I first became aware of RBTS WIN through a remix of their original “Mountain Child.” That strong, pulsing melody, those silky, beckoning vocals swimming through an unmistakable Marley Carroll filter. Now, being of the mind that Carroll doesn’t remix shitty songs, I had to know who this RBTS WIN was. I went straight to their SoundCloud.

RBTS WIN is the sonic lovechild of Javier Bolea and Cliff B. Worsham, Miami and Asheville natives respectively, who in 2008 got together and soon found a groove that reflected both their shared musical interests as well as their distinctive origins.

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BomBassic Beat Life Birthday Lovins June 27

So, tomorrow’s my birthday. You’ve probably heard. But on top of that, my boys BomBassic are headlining at The Mothlight for another installment of Beat Life, brought to us by the Asheville Beat Tape Collective. Weeeee

Cpt Hyperdrive and Brucey B of BomBassic are on fire these days. I’ve been seeing them on the regular for nearly two years now, and in their last few shows in AVL alone there’s been an intangible shift in their presence, a sense of greater connectedness between themselves as well as the audience. Maybe it has something to do with their Kinnection experience last month (everyone came back all ONE LOVE and whatnot), or maybe it’s because they’re best friends and play music all the time and are and sinking into both their individual and combined crafts harder than ever. Whatever it is, they gellin. Love those guys.

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Just Trying to Commission Peter Gabriel Remixes is All

peter gabrielI love Peter Gabriel. I listen to and think a lot about him. I just finished his biography Without Frontiers: The Life and Music of Peter Gabriel. What a brain-tickling babe.

For a couple years now I’ve been keeping my ear out for great PG remixes. Just found this dark, synthy version of “Mercy Street” by Virgin Magnetic Material via Soundcloud, which pleases me. I just don’t want to stop at his most well-known songs. I want to go deeper.

Of all his beautiful material, he’s got this song I can’t shake called “No Way Out” from his 2002 album Up. From first listen I envisioned this minimally powerful song remixed into a dance track. That guitar riff, that chorus! That’s all you need. Now I suppose this is what a DJ feels when s/he makes a remix. But I don’t do that. I do this.

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Even Divas Get the Groupie Chills

So I’m flipping through a book Bette Midler wrote about her first world tour in 1980. In it there is a page entitled “Dear Diary,” in which she discusses her initial discomfort with her groupies (in this case, a pair of young sisters from Idaho) and ultimately her realization that the relationship is a symbiotic one, one that is necessary for her as a performer and a person:

“I guess it’s always troubling to be faced with that kind of devotion. Like most performers, I deal with intense adulation from the multitudes, but as soon as it comes from a focused source…well, that’s another matter altogether. Maybe that’s why so many performer friends of mine refuse to have any dealings with even their most ardent fans…But in some strange way, they give–to me–meaning. I always feel more solid, more real when they’re around. They make me think that maybe there is more to me than I know.”

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Meet The Who’s Kingmakers “Lambert and Stamp,” If You Dare

Let’s be clear: this is not a documentary about The Who. If you don’t already know the history of the band, you don’t want to start with this movie.

But that’s not “Lambert and Stamp”s job. And it’s not to say it couldn’t be enjoyed by someone who doesn’t know or particularly like The Who, though it is at times a fucking mess to watch (we’ll get to that). No, this film’s focus is on a creative force we don’t otherwise hear about, which is a shame because they have more personality than certain band members (*ahem Roger Daltrey ahem*): Kit Lambert and Chris Stamp, two charming young cinephiles who in 1963 took the fledgling band The High Numbers (as they were known at the time) under their wings in order to make an art film about managing a rock ‘n roll band. Art imitating life and all that. But again these were filmmakers, and with little to no knowledge of the music industry, my guess is they didn’t realize how successful they’d be at it.

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Resurrecting the Groupie: A Quick Note on the Reviled “G Word”

One of my first childhood memories is dancing to Michael Jackson’s “Black or White” in front of the living room TV with my older sister. As he did most people on the planet, he rocked me. I suppose other things about being a four-year-old got me going, like baby dolls and birthday cake and my mommy, but even then I knew there was something special about the relationship I had with this music man; my baby cheeks flushed at his voice, my feet moved with his pulse. I studied his 1991 album Dangerous faithfully; I ran my fingers over the glossy liner pages daily and developed my reading skills in order to discern the lyrics. By the time I was five or six and had learned a thing or two from Disney movies about romance, I was certain Michael was my boyfriend and any day now he would come knocking on my door to marry me. It’s probably best that dream didn’t come true, but it opened the door to a long and beautiful relationship with the power of music and the people who make it.

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My Key to the Kingdom: How I Partied With the Rock Stars at Hangout Music Festival

I’m between worlds, done with lunch and not quite ready to kick it in the sand. The shaded patch of sod that transitions the dining hall to the private beach is perfect for this moment, a complimentary Malibu cocktail in one hand, a swag e-cig in the other. The royal gulf waters crash playfully in front of me; the sun shines so hard I think it might burn out. It’s hot at Hangout today, so I’m relaxing before making my way through the throngs for one of my most anticipated sets.

I should be thinking about St. Lucia and how excited I am to see them after my adventures at CounterPoint last year, but instead I’m playing with visions of standing on the side of the main stage at Foster the People later in the evening, a curious occurrence that I’ve always wanted to experience. Who are those people, and how do I get up there? When right then the band and their merry company roll up, I’m not entirely surprised.

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A Voice Comes Through: Ayla Nereo on Love, Fear, and Touring Radically with The Polish Ambassador

Photo by J Smilanic

My photographer friend and I are directed through to the main room of the Orange Peel where The Polish Ambassador crew are soundchecking. It’s Ayla Nereo’s vocals that stand out first, her honey-like voice winding through the streets of Polish’s bustling city of beats. Boston-born conscious hip-hop fave Mr. Lif is there too, getting his levels on a new collaborative track called “Shine Bright,” a delicious funk song that heats up even the chilly, empty venue.

Like typical touring musicians, the crew is here to support a new album, TPA’s Pushing Through the Pavement, but perhaps in an even greater way, they are pushing something quite unusual for the electronic scene: their accompanying Permaculture Action Tour.

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