Come Party at Our House: Underground Sounds of AVL @ New Mountain NYE

our house nye3

It was the best of times, it was the worst of times: 2015 was an extreme year. You felt that too, right? Even so, I know you sowed some really potent seeds, and now it’s time to grow that shit. In 2016, I do believe we’ll be seeing a little more clearly, listening a little more closely, and feeling a little more deeply. It’s gonna be one hot cocktail of love and glory. Get ready.

That’s why we’ll be ringing it in at New Mountain (once again!). The main room is otherwise occupied by Pigeons Playing Ping Pong, but if you’re not into having your face melted with the jam kids, the Ridge Room and Sol Bar are prepared to melt your heart. A variety of underground electronic treats awaits you.

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WAVEFORMS: Aligning Minds Recordings Official Launch w/Futexture + BomBassic 12/19 @ Orange Peel

aligning minds

I love launch parties: the essence of celebrating creative newness, of hope and excitement. A time to honor the culmination of work that’s gone into making something truly inspiring and worthy of jubilation. Add boozin’ and schmoozin’ and boom. Enter the next installment of WAVEFORMS at the Orange Peel.

Asheville’s Mike Folk and Baltimore’s Daniel Merrill (together, Aligning Minds) have been doing well for some time. Dammit, people like ‘em. With their bass-backed, soul-saturated spirit jams turning on kids here in AVL and around the world, it was only a matter of time before they organized their own record label. Structured with the intention of autonomously sharing their passion with not only the listeners who want to receive it, but also facilitating a platform for meaningful exchange with other artists of varying genres, the dawning of Aligning Minds Recordings looks very bright.

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Drink it Up: MiMOSA @ New Mountain 12/3


Hey, bassheads. Gotcha another one. West Coast producer MiMOSA is coming to New Mountain to rock your nuts this Thursday, December 3.

For such a young stunna, he’s made quite a name for himself by not only touring a whole shitload of material but also starting his own label, FALSE iDOL MUZiK, and apparently creating his own genre, called Future Trill. I have noooo idea what that’s supposed to mean, but I like this guy’s gumption.

His latest album Delusion of Grandeur appears ironically titled considering he certainly seems to think of himself pretty grandly (a “MiMOSA in this bitch” vocal sample graces several of his songs), but it hooks me right away, deep bass lines leading into booming hip-hop beats on the title track. I am instinctively bouncing in my porch chair to the lead-footed “Lost,” clearly envisioning myself grinding it down to the venue floor, and “Regenesis” delivers a welcome, driving dance beat. Yeah, gimme dat.

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Minnesota w/HugLife + BassClef @ New Mountain 11/20


I remember hearing Minnesota’s name around CounterPoint time last year, when I really didn’t care for bass music at all and just thought it was cool his name is Minnesota. But a lot has changed for me in a year and a half, and now I can speak with a considerably more open mind on the sick pleasures of the hard, floor-grinding genre.

Originally from Minneapolis (hence the nickname), Minnesota (Christian Bauhofer) moved to Santa Cruz at 18 where he began plugging into the rising Left Coast bass scene. He hit it hard in 2011 with his first EP Panda Snatching Tycoon and quickly gained traction for his seamless eclecticism and melodic sensitivity in a world where Skrillex ruled the roost.

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BomBassic Drops a New Track, and it is Cotton Candy-Colored Fire

It’s been a few months since BomBassic’s last official release, but their summer was a busy one. They played a string of local shows, went on a southeastern tour, and finished up their new album, all on top of the responsibilities of their regular day jobs, their facilitation roles in the Asheville Beat Tape Collective, and lots of badminton.

“Cotton Candy Sunset” is a collaboration between BomBassic and local guitarist/vocalist Tin Foil Hat (Jared Hooker). It begins slowly, an ethereal vocal massage from Hooker leading us carefully to a precipice. It unfolds from there, Brucey B’s frosty keys building a bridge to the kick, this verified house beat (yesss!) reaching beyond their usual soul bass style with fervor and flair. The track waves and winds, sashays and grinds; I feel myself dancing on a crystal rainbow road in the sky, weaving through those cotton candy clouds, diamonds in my hair and hot angel breath on my neck. No, I’m not on drugs right now!

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AshevilleFM Fall Fund Drive Was a Hit and So Was RBTS WIN Obviously

While I’m still riding high on the “party with a purpose” vibes The Polish Ambassador rainbow wagon reminded us of during their visit last month, why wouldn’t I be at the damn good party with the damn good purpose that went down at The Mothlight last night?

Local radio station AshevilleFM (103.3) concluded their fall fund drive with a throwdown that served up a lot of AVL love. With a commitment to increasingly sovereign, diverse, community-based radio access, AshevilleFM has been reflecting the sonic pulse of the big, beating heart of this community since 2009 and is poised to keep going strong. Of course, any venture that rejects corporate control needs money to keep rockin’, which is where we put on our big baby girl & boy pants and give a little for the things we give a shit about.

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SuicideGirls’ Blackheart Burlesque Coming Hot & Hard to New Mountain 10/29

blackheart burlesque logo

Blackheart Burlesque logo

“It’s a pop culture nerdgasm,” she tells me, her surprisingly sweet, soft voice brimming with excitement. I’m speaking with Missy Suicide, founder of legendary Playboy-style alternative pinup/lifestyle magazine SuicideGirls. You know, the hot tatted and pierced chicks. At the time of its inception in 2001, SuicideGirls revolutionized the Big Breasted Blonde-saturated pinup market and turned on its head what people thought a centerfold should look like. It seems commonplace now of course, which speaks to the widespread cultural impact of SG’s ongoing mission.

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Michal Menert & The Pretty Fantastics Are Gonna Be Just That Oct 15

michal menert pf

In my preview piece for Eliot Lipp last week I teased a second Pretty Lights Music label artist coming to Asheville this month. Well, the time is nigh, electroheads! OG Pretty Lights rainbow brother Michal Menert brings his full band to New Mountain tomorrow, October 15.

By full band I mean the five other Pretty Fantastics, an abridged version of the 18-piece “Big Band” he’s played with selectively over the last few months. But six is still a bigger band than most, the drums, guitars, keys, and horns fleshing out Menert’s central beat-dropping. There’s no way it’s not gonna be good. Really good.

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NEW RELEASE: Marley Carroll DJ Mix ‘Summer Turns Fall’

To celebrate the end of a long, gig-intensive summer, Marley Carroll released a new DJ mix yesterday. And aren’t we all so glad he did. Titled Summer Turns Fall, the 48 minute mix is a lesson in transition, from the sun-fueled funk house beats to chilly, weighted scratchwork that reflects these deepening nights.

It begins on the dance floor in my mind, KC and the Sunshine Band’s cover of “I Get Lifted” a damn good groove early on, which has served as a staple in the MC DJ set list all summer. But afterward I am somewhere else altogether.

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Turn it Up, Turn Me On: Whiskeytown — Turn Around

This is a new segment I’m starting called “Turn it Up, Turn Me On” in which I share a song or album that’s just really doin’ it for me right now (that’s pretty much what this blog is made up of anyway, but now it’s called a “segment” so it’s official). The band/artist could be from anywhere at any time, so it may not have anything to do with anything other than it’s currently tickling my happy bones. I need something to do in between stalking local bands.

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